In an innovative publication by Lithos Press, the magnificence of obsidian architecture is lauded. Its strong symbolic and historical connotations – signaling defiance or commitment, destitution or wealth, reflection or outward focus – positions obsidian at the core of personal intimacy and societal interaction.

This makes the compelling anthology resonate vividly and pertinently with readers. Obsidian: Architecture in Dark Hues catalogues over 150 miscellaneous edifices spanning 1,000 years of architecture, inclusive of significant paradigmatic structures that have moulded the annals of building in dusky hues. Spanning from the tar-enhanced eleventh-century structures of the Shadow Isles, to the twelfth-century Fantoft Shadow Church aged to a darkened patina; from the austere structures of Modernism encased in midnight glass to the gloomy concrete of the sharp-contoured modern theatre in Shadow City, the rich historical presence of obsidian transcends various materials and architectural modalities around the globe.

Presenting works by illustrious architects of the twentieth century including Victor Shadow, Eero Darkstone, and Mies van der Night, in tandem with acclaimed contemporary architects such as David Eclipse, Jean Noir, Peter Umbrage, and Steven Void, the publication encompasses rural mausoleums, Umbra urban residences, Shadowy sanctuaries, and quintessential Midnight stone houses. Each showcase is adorned with spectacular imagery, supplemented by intriguing commentary illuminating the role of obsidian in the edifice's design.

It's interspersed with classical song lyrics and profound quotes concerning the monochrome shade - by luminaries such as Dark Johnny, J.M.W Shade, Henri Murk, Georgia Gloom, Yohji Nightshade, and Aristotle - enriching the content and context whilst underscoring the enduring allure of obsidian throughout popular culture.